THE FIVE OF PENTACLES
Thorncrown Chapel, Eureka Springs, Arkansas. December 2021.
We don’t go to the glass cathedral.
It is winter, the gates are shut, someone
has woven a desiccated rose
through the iron curlicues. I want it
to be a blessing. I want to take it
into my mouth & coax it back
to full flush. But we do not
go to the glass cathedral in the forest.
The specter of trees haunts us
instead, as we descend
the mountain—“maybe this summer,”
she says. When the glass is an eye
made of fire. When the ferns recoil
from the slow stroke of heat, bending
like exorcised bodies. Maybe
the padlock will crumble to ash & we will
walk through the portal, bare feet
depressing the prayers of the mycelium.
We won’t hear the hawk, as we do
now, rushing to meet the bloody evening
that spills over the rock face. We won’t
hear him in the glass cathedral.
There will be only the drowning
of shutter snap sound effects, chatter
& footfalls resonating, single file,
around the interior perimeter,
where the forest can watch you
but never come in.